SAYING HOWDY TO FIELDS OF THE NEPHILIM
CHICAGO TRIBUNE, FENBRUARY 26, 1988
by Tom Popson
About four years ago Carl McCoy and Tony Pettitt, two Britons living
in the London area, linked up with some friends to form a band called
Fields of the Nephilim.
At the time, the band members were fans of spaghetti-Western movies, drawn
to the genre in part by the gritty look of the films and by their settings
in wide-open spaces, which can seem a bit exotic to folks living in England.
As Fields of the Nephilim got under way, McCoy and Pettitt say, elements
of those films began to affect the band's music and look. The
band's playing took on a dark-saga, malevolence-in-the-shadows
quality, and the members began to wear weathered bits of Western-style
garb onstage.
Although the band eventually posed for some publicity photos
that had a heavy-duty Western motif - one player even had a pistol strapped
to his leg - vocalist McCoy insists the band's bad-hombre
look was never a calculated image designed to reap an extra fistful of
pounds.
"It was just a development from the scruffy stuff we used to wear anyway,"
says McCoy. "We've always worn sort of battered leather clothes. But then
we started wearing the Western hats, and that really caught people's
attention, and they said, 'Ah, cowboys.'"
"It's a loose thing," says bassist Pettitt. "We're not into wearing things
like chaps and stuff. We'd wind up looking like 'The Virginian.' A couple
of us wear hats. We look a bit scruffy. When we started, there were
really a lot of these romantic types around, like Gene Loves Jezebel, but
we weren't into that."
Fields of the Nephilim currently is making a tour of clubs across the
United States-arriving at Cabaret Metro Saturday - to test response here and
to help promote its new album, "Dawnrazor." The LP - sometimes proceeding
at a measured pace, sometimes fast and swirling - sports a kind of dark-epic
feel in its arrangements and McCoy's portent-of-doom vocals.
Released in Britain before it was released in the States,
"Dawnrazor," which is on the Beggars Banquet label, has spent eight months
on the independent-album chart published
by the British music publication Melody Maker, says McCoy.
That sustained performance apparently is a bit of vindication for Fields
of the Nephilim.
"We've never been one of those flavor-of-the-month bands in England," says
McCoy. "We've been a very unhip band because we never
followed the fashions. We looked unlike other bands because of the
cowboy image, which was totally uncool unless you
were a country-and-Western band.
"But we've become very strong-minded and a very closed unit. We've learned
to do it totally alone. When we started, we went around to see a few
record companies to try to get advice, and they left us with a
really negative attitude. Basically they said, 'You've got to conform,
be a nice, pretty-boy band - then you're going to get on.' It was people
telling us that over and over again that made us put our first record out
on our own label."
During its American tour, Fields of the Nephilim will be playing
material from "Dawnrazor," plus some numbers the
band has written for its follow-up LP.
"I don't think people come to see us because of what we're saying in the
lyrics," says McCoy. "They come because of the way we make them feel when
we play live, the aura we give off. That's what people get off on.
Hopefully, the atmosphere we create will speak for itself."
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