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THE LEGACY ISSUE 2 1995
SHAPES OF ANGELS
by Paula O'Keefe
The Watchers and the Nephilim
"There were giants in the Earth in those days, and afterward,
when the sons of God went in to the daughters of men, and they
bore children to them. They wee the mighty men of old, the men
of renown."
Genesis 6:4
As they have always done. Hardly a folklore or magical tradition
on Earth exists that does not include the wisdom of the
immortals passing to humankind through love, desire and
miraculous birth: Greek demigods, Indian culture heroes, Merlin
the mage and mage Yeshu son of Mary are cousins under their
many-coloured skins. So do we always acquire our teachers,
heroes and spiritual guides. It's a story we've passed through
myriad variations and always loved.
The chapter of this long story which is of most interest to a
Nephilim fan is also the most recent one, dating to the early days
of the Christian Era, before 630CE. In those days the books we
now call Apocrypha (from the Greek apokryphos, "hidden or
secret.") had not yet been excised from the Bible, and so carried
the authority of Scripture. These books tell the story of the
angels called Grigori or Watchers, who descended to Earth to
take human wives and educate young humanity. Two hundred of
them, led by the great angel Semjaza-Azazel, are said to have
come here in the age between Creation and the Flood. With them
they brought knowledge of a diverse range of arts and sciences,
from mining and metalworking to the use of herbs, astronomy,
writing, and birth control. They taught all these to humankind,
and even more importantly, they taught the art of magic.
"Amezarak taught all those who cast spells and cut
roots... Amaros the release of charms, spells and magical
skills... Baraquiel, astrology..." The authors of the Apocryphal
books, whoever they were, make it clear that in their time magic
was considered a celestial gift, a skill that humanity had acquired
directly from the hands of angels, and one as important to
humankinds' survival and advancement as the use of metals or
paper and ink. If it were not so important, after all, why would
Azazel and his band have bothered to give it to us?
And if it were not so important, they would probably not have
suffered so badly for their gift. The archangels Michael, Gabriel,
Sariel and Uriel, still in Heaven, observed the Watchers' work on
Earth and angrily complained to God "See what Azazel has
done," they said (in I Enoch IX and LXV:6-7), "revealed the
eternal secrets which were made in heaven... and has made
known spells and ... knowledge to men... and the sons of men
practice his practices in order to know the secrets. (Humans
have) learnt all the secrets of the angels, and all their secret
power, and all the power of those who practice magic arts..."
They were furious that these powerful secrets have been brought
to humankind, and just as Jove punished Prometheus for giving
humanity the forbidden gift of fire, Jehovah sent his angels to
punish the Watchers. They were defeated in battle, forced to
watch as their families were slaughtered, and then imprisoned in
the mountains, deserts and sea of the Earth until Judgement Day,
when they will be cast into the lake of eternal fire. Thus dealt the
Merciful Father with those who helped and taught the human
race.
But the work they had done was not the only trace the Watchers
left among early man. They had not only wives but children, and
these were the mighty Nephilim, the "giants in the earth" of
Genesis.
Sources differ as to the nature and deeds of the Nephilim. Some
stories and translations say that they also married and had
children, called Eljo or Elioud; that they were great craftsmen
and artisans who built the Tower Of Babel and forged the
magical sword used by King Hrothgar in the epic Beowulf.
Others describe them as monstrous cannibal ogres, cruel and
insatiable, who become dangerous to all Earthly life. We may
never know where if anywhere, the truth lies. It is not even
certain that they and their bloodline were all destroyed; there are
numerous giants in the Old Testament and all of them are
described as 'those born to the giant,' clearly believed to be
descendants of the Nephilim. But the Apocrypha are very definite
on one point: the giants' half-mortal, half-divine nature has
trapped then on Earth. Their physical bodies were killed by
Jehovah's angels, but their spirits remain here, disembodied and
restless, roaming the world until, like their fathers, they face the
final judgement. In the books of Jubilles and Enoch, these
Nephilim ghosts are described as demons and blamed for many
crimes.
"And now the giants who were born from souls and flesh will be
called evil spirits upon the earth. From the day of... the slaughter
and destruction of the giant Nephilim, the mighty ones of the
earth, the great famous ones, the spirits that have gone out from
their souls as from the flesh will destroy without judgement." (I
Enoch XV-XVI)
Which would mean, if you believe, that the Nephilim are with us
still. And some of us believe, because here they are.
It's complicated and difficult to understand what the image of the
Nephilim means in the name and music of Fields Of The
Nephilim. Over the years Carl McCoy, when asked, sometimes
quoted the story of the Watchers' giant children and sometimes
mentioned a theory of alien visitors. He has spoken at length of
the ideas put forth by the author Zechariah Sitchin, who
beleieves that the Nephilim (or Nefilim) came in spaceships,
bringing a secret science from the stars, to become the deities of
ancient Sumer and the creators of humankind through genetic
engineering: he has also dismissed this theory as "interesting,
though his viewpoint isn't mine." The only thing of which can be
reasonably sure is that McCoy acknowledges the influence of
non-human beings on his life and work, and often expresses the
sense of their presence. Cthulu, H.P. Lovecraft's name for astral
chaos in a god-form, has appeared several times in his lyrics, as
has the chaotic sea-monster Leviathan, the deities Diana and
Mithra, the angel Raphael, and entire stretches of Sumerian
prayer.
But - to my mind - the strongest and clearest sense of an arcane
presence in the band's music is found in the lyrics to
"Sumerland", and we mnay find our answer there, "On this Earth
I shall wait, by the roots of my soul" - as we've seen, the
Watchers are imprisoned inside the Earth, awaiting judgement.
"And they're here, they want to take you, to the shame of your
past" - the terrible day, I imagine, where archangels sent by God
wiped out the Watchers' community in one day and night; the
lyric sweeps from "Take me to the dream" to "Take the dream",
encouraging any soul to find what the singer's own soul finds,
our heritage, our planets superhuman past.
And then comes the song's trancelike center. "Sleepers in you,
shapes of angels, so deep within you, feel your soul drowning,
unloosen your soul..." there they are, dead but dreaming, buried
in the foundation of our world for thousands of years. The source
of magic: Their dreams are mixed with ours, the souls of their
children have been riding our winds for an age. And truly, it
doesn't matter what we believe they are. In Sumerian lore Kingu,
second in command to the Dragon Goddess of Chaos Tiamat,
was the source of the blood that was used in the making of
human beings; Sitchin believes the alien Nefilim created us in
their astonishing laboratories; the Watchers took human wives
and educated them and their children in arts no human being had
ever known. There are spirits descended from the stars, travelling
in our blood from an older age. Shapes of angels. And we're
coaxed to join our dream to theirs like water to water, submerge
with them, open to their presence within us - "we could dream
together, we could sleep forever" - in an oceanic acceptance of
all the human soul is and has been. They did not just help to
make us what we are; they became part of what we are.
That to me is the real soul of what Fields Of The Nefilim have
done and what the Nepfilim are likely to do. They awaken a
sense of awesome possibility, of how vast and mysterious our
life and universe are, and how much there is for us to know.
Ancient stories say that the secrets of heaven were brought here
for our use - how can we forget them?
The memory of them is in his music, for anyone who can hear it.
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